Report by Maja Cederberg
The conference was divided
into three different workshops, treating different aspects of the current
European audio-visual scenario. But before these more particular aspects
were treated, there was an introductory session on the wider question of
a common European identity in culture, and, in particular, broadcasting.
This introduction, chaired
by the president of Eurovisioni, Luciana Castellina, addressed the more
theoretical questions behind the following debates. The main point of debate,
was whether there is, or ever will be, any form of a common European culture,
as well as if this would be desirable or not. While some found it important
to work on the common historical and cultural elements, others wanted to
encourage diversity rather than standardise and thus inevitably exclude
some minorities. This point seems to me one of the more difficult to deal
with. It is indeed important to encourage European production and exchange,
not least as a counterpart to the American cultural products, which, as
Castellina pointed out, are often much more familiar to a young European
person than films or programmes from countries a lot closer to their own,
both geographically and culturally. But as those whom some would label
pessimists, I agree with Nicolas Garnham’s point that compromising national
cultures into the great European, would mean concessions on the part of
minorities, why unity in the nearer future seems both undesirable and impossible.
As the globalising trends frequently means an outcome opposite of its initial
purpose - diversity rather than standardisation - I believe that struggle
over European hegemony would mean that less powerful nations would uphold
their differences rather than comply with the stronger forces. Instead,
the question for me, and many others in this debate, evolved around the
importance of exchange and education within Europe. In practice, this would
mean not just supporting the production in different European countries,
but also their distribution, to increase the understanding between cultures
on the continent, after which perhaps more common elements will turn up
by themselves, without cultural dictatorship from the top.
The difficult question of
quality was also mentioned in this session, and the problems involved in
choosing different kinds of projects or companies to support, but this,
as the above mentioned issue, was discussed more in depth in the first
workshop, why I will now go over to that.
Workshop
1: "The Evolution of Policies to Support Production in Europe"
Chaired by Carol Tongue,
adviser Euro-Media-Culture.
This debate evolved around
what to focus support mechanisms on, and the main issue was whether to
concentrate on production or distribution. The production/distribution
crisis in Italy was pointed out, where only 40 out of 90 films produced
every year actually reach the screens. This situation has occurred because
support has been focused solely on production of products, after which
the different producers often have been unable to do anything with their
finished work. This problem naturally has a very important commercial side
to it, which is where the question of quality is central. Difficulties
in getting distribution rights has led to concentration to a few distributors,
which all have, and are forced to have, primarily financial interests in
audio-visual products. This is the trap in which most alternative production
get caught - their lack of commercial value. Distributors are dependent
on an audience, and audiences more or less follow the mainstream.
There seemed thus to be
a consensus towards directing support mechanisms further towards distribution,
the main argument being that it is pointless to support cultural products
which the public cannot take part in. But the more important issue of taste
and quality also comes in to this political strategy.
As Jean-Noel Dibie argued
in his conclusions, supporting distribution around Europe of domestic products
will perhaps help educate the younger generation, so that it in the future
comes to request something different than American superheroes. He pointed
towards the fact that people can only choose from existing alternatives,
why, if given more choice, what today is alternative and subversive may
tomorrow become the mainstream, public taste.
The question of Europe vs.
America naturally came up, and though many speakers still saw the importance
of providing a European counterpart to the American, the important point
of Europe on its own came up several times, and how we need good audio-visual
products for ourselves, not just to compete with the industry, thus: Europe
first, America later.
Specificity was several
times mentioned and encouraged in the question of support mechanisms, what
types of production or distribution to support, as well as how. Projects
or companies, was one of the main questions, and the former seemed favoured
by American most, except naturally some people financially involved in
the media, who argued that companies should be supported since they take
all the risks. This is true to an extent, but, to my delight, this debate
was actually, as opposed to some of the others, centred around audio-visual
products as culture, rather than just commodities, why quality was a central
issue, and why support to projects seemed to be favoured over support to
companies, and why specificity was argued to be a central feature in the
request for financial support for production, and, primarily for the moment,
distribution.
The question of how to go
about the situation to spread different national products, and exchange
cultures and values within Europe, was naturally very central to the issue,
but unfortunately stood rather unsolved at the end of the session. Suggestions
of changing distribution rights to improve the production / distribution
problem were suggested, but no concrete solutions were proposed. Co-production
as a means of cultural exchange was taken up, which seemed an interesting
form of viewing others’ cultural values as well as "seeing one’s own with
other eyes", as Luciana Castellina put it, but though there were some good
points on concrete action, the main debate was on an idealistic, not a
concrete, plane.
Workshop
2: "The Impact of Technological Evolution on the Structure of the Programmes
on Offer"
Chaired by Paola Manacorda,
Officer of the Authority for guaranties in Communications.
This second session was devoted
to how new media technologies have changed the audio-visual scenario in
Europe, and the complications of their commercial touch. The question of
access was a central one, how new technologies, by being very expensive,
are only available to a limited number of companies, nearly all within
the private sector. There seemed to be a consensus belief, that the technologies
on their own were positive, but that the present system favours only the
established commercial media giants, which leads to a very undemocratic
scenario in Europe, whereby new technologies leads to new exclusions, and
it becomes more and more difficult for smaller companies as well as public
service systems to function as counterparts to mainstream audio-visual
culture.
Through this development,
television programming has become either very expensive, or very poor quality,
which means that though ways of distributing programmes have increased
in number, the programmes on offer has decreased both in diversity and
quality through the financial situation. Many speakers argued that technology
on its own has taken over the scenario, and that old values of cultural
quality in broadcasting have been forgotten about, why effort needs to
be put in to re-evaluate the purpose of broadcasting - culture or commodity?
This, I think, is a crucial point of discussion which needs to be focused
on by policy makers, helping the development towards diversification rather
than standardisation. For if, as the previous session argued, Europe is
to serve as a counterpart to American audio-visual industry, we cannot
model its development towards a wholly commercial, market-controlled scenario.
How to preserve cultural
values in broadcasting, was a central point of debate, and some controversy
existed around the table on the point of control of the development. While
some pointed towards the harmfulness of diversification, some media professionals
feared too much control would hinder market development and full usage
of these new resources. Though I do sympathies with the latter, who have
to have a financial interest in the debate and naturally fear for their
companies, I still want to put forward the importance of the media as serving
the people. If broadcasting, and thereby both culture and information,
becomes totally in the hands of the market, its initial human dimension
will quickly disappear, why I think legislation to direct the development
towards keeping a diverse scenario with interests other than commercial,
is extremely important.
There seemed to be a consensus
belief in the debate, that most ways in which TV supply has been changed
by technological innovations, have not been culturally positive, but rather
favourable for the big players in the system. With a few exceptions, the
main conclusion the speakers agreed on, was that the question of access
needs to be solved to give the less powerful players in the scenario a
chance, and that control is needed to make sure that audio-visual products
in the future keep their cultural importance, and exist as something further
than simple commodities, but unfortunately no direct solutions to the problem
were reached.
Workshop
3: "Devising a Common European Audio-visual Strategy in view of the forthcoming
World Trade organization Agreements"
Chaired by Susan Baldwin,
Executive Director of the Canadian Radio-Television and Telecommunications
Commission Broadcasting
This session was rather difficult
to follow for an outsider (like me), since the debate featured nearly exclusively
views from within the broadcasting industry. The whole discussion was very
much centred on finances, and on the commercial part of the industry, this
because the aim of the discussion was to take a stand in the world trade
organisation (which, again, was never done in any concrete manner). I found
this session rather different from the previous part of the conference,
which I thought had a goal higher than making financial strategies for
European media giants.
What Gaetano Stucchi (European
Broadcasting Union) in the introduction referred to as "the good will of
the companies", was by several speakers around this table very much emphasised,
suggesting that regulation rather than legislation should be favoured in
world audio-visual trade, and that the different parties in the scenario
should be left on their own to solve broadcasting issues. Culture and identity
was thus largely left out of this discussion, as also pointed out by a
few members of the panel, who seemed to have less of an economic interest
in broadcasting, and more of a cultural.
The offensive / defensive
broadcasting interests was a main focus of the debate, and many complaints
were directed towards the part of the world that have not (yet?) liberated
their markets. The claim of offensive broadcasting interests, meaning opening
up markets for foreign investment, as being in the interest of cultural
exchange and education, was a rather strong euphemism for the will to exploit
new territories, and though I do agree that cultural exchange should occur
in all parts of the world and not just focus upon Europe, I would say that
unfortunately, where the commercial Western media industry is concerned,
the exchange is rather exclusively a one-way flow.
Conclusion
To conclude, I would like
to mention a few of my points of view on the conference as a whole. Though
many of the topics discussed interest me a lot, I think the conference
featured too many representatives from the broadcasting industry, and too
few academics. The more theoretical parts of the conference could have
been a lot more fruitful if featuring more people involved in these specific
issues. In fact, I think the discussions would have been a lot more interesting
if all the sessions, like the first one, had been open to debate to all
participants, and not a closed panel, since I do know that a lot of people
in the room had very interesting thoughts to bring into the discussions,
but were unable to.
I was also a bit disappointed
with the fact that conclusions were very vague and featured no concrete
conclusions to the questions posed, but rather led to several more questions.
I think that perhaps reducing the conference to a smaller number of questions,
would help to bring some more answers out of it.
Since I have never been
to this kind of a conference before, I did enjoy the experience, and thought
it was interesting to become familiar to a side of the media industry that
has been rather unknown to me, as a student. And though I, as understood
from my report, have a lot of comments upon the structure and content of
the conference, many interesting points came up, not least in my discussions
with the other students, in which we all had a chance to discuss our own
points of view, unfortunately invisible to the important people around
the big table.