Reg. Trib. Milano n. 418 del 02.07.2007 - Direttore responsabile: Elisabetta Brunella

Special Edition No. 231 - year 19 - 15 October 2024

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Dear Readers,

Elisabetta Brunella

with a visit to Northern Europe, we present a new episode of our journey to discover "green cinemas": this is Norway's turn, with the interesting experiences of Oslo, Haugesund, Trondheim and Stjørdal.

The column "ALL DIFFERENT ALL DIGITAL" hosts the portrait of Cinema Italia in Soci, in Tuscany, one of those theaters that keep the love for cinema alive even in the small towns of the Italian provinces.


We wish you a pleasant reading,

Elisabetta Brunella
Secretary General of MEDIA Salles

 

 

GREEN CINEMAS

Sustainability efforts in Northern Europe
by Elisabetta Brunella

As I write about the “sustainability efforts” being implemented by cinemas in Northern Europe, images of yet another flood in Italy flash on TV, accompanied by discussions on the essential need for preventive measures.

The connection between the two topics is closer than one might think: one of the most modern cultural venues recently built in Oslo, Vega Scene, was designed with a special “blue/green” eco-friendly roof spanning 750 square meters.

On the one hand, the design by architecture firm Asplan Viak, which involves materials from Protan, provides an ideal habitat for native flora and insect colonies. On the other hand, it plays a crucial role during extreme rainfalls, which also increase in regions located at higher latitudes.

The roof retains water for 24 hours, then filters and releases it directly into the Akerselva, the main river in the Norwegian capital, thus alleviating the strain on the city’s already overloaded rainwater drainage system.

Ida Hauge Johannessen, communications manager for Vega Scene-an entertainment complex for quality cinema, including three movie theatres and 510 seats dedicated to quality films, as well as a theatre and a conference area-explains the inspiration behind the project, which came to life in 2018. “We believe environmental sustainability is not a tool for promoting the cinema’s image but a crucial component of our larger approach.

For this reason, we focused on the Breeam certification since the design phase by adopting solutions that reduce CO2 emissions, promote biodiversity, prioritize long lasting materials, and encourage reuse.

We use district heating and energy efficient laser projectors, minimize paper waste with digital posters and tickets, and provide staff uniforms made from recycled materials. We also encourage eco-friendly behaviour among our customers by offering electric bike charging and discounts for bringing their own coffee cups.

As for our staff, much attention is given to transportation. For example, if we have to attend meetings outside Oslo, we tend to prefer trains over planes. Additionally, we continuously monitor the implementation and effectiveness of these environmentally friendly behaviours to improve and make them more efficient.”

The strategy of Trondheim Kino also demonstrates that cinemas can play a virtuous role in society by promoting environmental respect among employees, audiences, and stakeholders.

This major central Norway entertainment player runs two large complexes- Nova and Prinsen-in Trondheim and a third in Stjørdal. It has also created the KinoNor chain in northern Norway (thanks to an alliance with Aurora Kino) and the Edda Kino in Haugesund, which hosts Norway’s most important film festival.

Trondheim Kino, which holds Lighthouse Certification aimed at increasing environmental sustainability, has focused particularly on waste management, a challenging mission for a chain counting 22 screens, 150 employees, and over 800,000 yearly viewers.

They have adopted bins that simplify waste sorting for adults and children and regularly show videos to spread awareness of the importance of waste reduction and proper waste disposal to allow recycling. This initiative, created in partnership with waste sorting and cleaning materials Rørøs Produkter, led to encouraging results. According to Arild Kalkvik of Trondheim Kino, the amount of waste per viewer has decreased by about a third, while the purchase of snacks and beverages has increased.

Whether new or old, cinemas can contribute much to the collective effort, which is becoming increasingly necessary and urgent to make human activity compatible with the planet’s survival. Compared to other business sectors, cinemas -due to their direct interaction with audiences and the powerful cultural impact of their content -can foster positive individual and collective behaviours.

This article was published in the October 2024 issue of Cinema & Video Int'l, the MEDIA Salles media partner.

 
ALL DIFFERENT ALL DIGITAL

This column hosts portraits of cinemas in Europe and the rest of the world which are quite different from one another but have in common the fact that they have all adopted digital projection.

Cinema Italia in Soci: the only one in Casentino
by Elisabetta Galeffi

Country
Italy
Site
Cinema Italia
Town
Soci
Number of screens
1
Number of digital screens
1
open all year Monday to Sunday

 

Reading the comments on the Facebook page of Cinema Italia in Soci, in the province of Arezzo, is like diving into “Amarcord”/”I remember”, the famous movie directed by Federico Fellini.

The posts are memories of youth when, in Casentino, the kids of the period 1960-1980 met on Sunday afternoons at the Cinema Italia. Vivid memories, of the meetings as young people in Piazza Italia before the screenings and of the friendliness of the old owners of the cinema who today have passed the management to their daughter Marina who, like them, takes care of this place with great dedication.

Cinema Italia in Soci, opened in 1911, is today the only cinema in the entire Casentino Valley which, divided between the provinces of Arezzo and Florence, has about 50,000 inhabitants and includes historic villages, such as the medieval village of Poppi, the municipality of Pratovecchio Stia, where the Romena castle stands, and Bibbiena, the main town of the area, known for the elegance of its Renaissance buildings.

Its hamlet of Soci owes its greater development compared to other villages, to the fact that it lies at the intersection of roads that on one side lead to Florence, on the other to Arezzo or, through the Mandrioli pass, to the Apennines and then to Forlì.

The lasting affection for Cinema Italia emerges from the posts published on its website by the young spectators who are happy to find good films in their area, instead of travelling almost 40 kilometers to see a movie in Arezzo or even going to Florence, through a more impervious road and perhaps snowy in winter.

Finally, Cinema Italia in Soci earns much acclaim for having preserved its original furnishings, which today allows it to offer a retro charm to its audience who feel at each screening in a unique and special place, with a particular history.

The only auditorium, suitable for both theater shows and film screenings, can be reached from the long entrance corridor where the posters of famous films of the past are hung and where the historic bar still remains the point of reference next to the ticket booths.

The cinema is open on weekends from Friday to Sunday. On Friday it offers a unique show at 9 pm, while on Saturday and Sunday afternoons it dedicates the screening to young people. The evening shows are held at 6.00 pm and 8.30 pm.

 


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Edito da: MEDIA Salles - Reg. Trib.
Milano n. 418 dello 02/07/2007
 
Direttore responsabile:
Elisabetta Brunella
 
Coordinamento redazionale:
Silvia Mancini
 
 
Raccolta dati ed elaborazioni statistiche: Paola Bensi, Silvia Mancini